Common wisdom states that guitar amps are typically recorded with dynamic mics. However, if you can afford it, and you want the one mic that’s almost guaranteed to over-deliver on its promises…. von AHChris, 19.02.14. It also has a larger diaphragm, which results in greater off-axis coloration. So if you want a mic tailored specifically for this one instrument, the Sennheiser e609 is the obvious choice. And while that can be a bad thing…in this case, it only adds more character. Only thing to make sure is the capsules (not the mic itself) is the same distance from the speaker for phase reasons. Third, its hum-compensating coil is excellent at blocking interference from nearby sources, which is a common problem with guitar cabs. Registration is free and easy. Gear Maniac . Dynamic mics, with their higher max-SPL’s are typically better equipped to handle these extreme levels. The other two were a bit too honky for me. And if you DON’T, it should be one your shopping list anyway, because every studio should have at least one. For live performances, that means one-less mic stand on an already crowded stage. You can literally search online for hours, and not find a single person who has tried this ribbon mic on guitar and not loved it. Second, it features the less-common supercardioid polar pattern, which is perfect on-stage because it allows for near perfect isolation of the instrument. AKG C414. Im Board seit: 15.09.07 Zuletzt hier: 15.12.19 Beiträge: 337 Kekse: 891 Erstellt: 19.02.14 #1. Beliebte Beiträge ★ 2 ★ für AHChris Beitrag Nr. i like the 57 closer to the middle and the 421 halfway out to the edge. Sennheiser MD421 vs Beyerdynamic M201TG vs Shure SM57 am Gitarrenamp. The first step in getting a good sound is starting with good microphones. The SM57 and MD421 were my favorite of the bunch. AHChris Registrierter Benutzer. Hey, My SM57 has conked out and whilst I'm going to try to fix it I feel it's time for a mic upgrade. According to legendary producer Eddie Kramer: The M160 was his absolute favorite option on electric guitar. The e609 takes the exact opposite approach, with a design created specifically for the sole purpose of recording electric guitar. One nice thing about the 421 is it doesn't need as much gain, and it's less fussy as to which mic pre you use. The two notable features common to both the U87 and C414 are: For some reason, large diaphragm condensers almost always sound better than small diaphragm condensers when recording this particular instrument. Just like the C414, it has ranked among the top “studio workhorses” for many decades now. Tipps & Tricks Fragen (FAQ) Regeln. Gemütlich abhängen mit Sennheiser e906. Few people would argue that this AKG mic has long been known as the most versatile condenser mic in existence, as it sounds good on virtually everything. And since those two names are perhaps the best examples of what an electric guitar is supposed to sound like…. Sometimes on their own, but mostly in combination with 1 of the first 3 mics we covered. While dynamic mics are typically thought of as the “go-to’s” for electric guitar… That’s not … By Not Mr. Test in forum Music: Recording Studio, By ohio_eric in forum Music: Recording Studio, By DBmetalhead in forum Guitar: Gear Discussion, By caughtinamosh in forum Guitar: Instrument Discussion, Guitar Parts & Accessories For Sale / Trade / Wanted, Help or suggestions for pedal placement in loop or not, Bridge placement with downtuned instruments, - The Heavy Metal Guitar Authority, Are you a heavy metal guitar player, collector or enthusiast? If you can afford one, I definitely recommend checking it out, because just like the SM57, and MD421, you’ll use it all the time. Usually I mute one and find the best spot for that and then place the other. So, now that I have these two mics here, how are you guys that do this normally positioning them in relation to each other? On small toms, I actually like a SM57 better than a MD421... as it captures more "smack". The only reason you don’t often see them in home studios is their price. On my voice for example, the MD421 sounds better compared with the SM7, until you EQ it. It’s not clear why, but it’s a fact that almost all engineers can agree upon. SM57 + Sennheiser MD 421 mic placement. SM7b vs. Sennheiser 421 When you buy products through links across our site, we may earn an affiliate commission. Which is great news for home studios, because chances are…you already have one. So, now that I have these two mics here, how are you guys that do this normally positioning them in relation to each other? And electric guitar cabs are definitely no exception. First, its flat side-address design allows you to hang it by the mic cable from the top of your amp…no-stand-needed. One theory is that the low-end rolloff at 200Hz compensates well for the proximity effect from close-miking a guitar cabinet. I know the SM7b is very covetted here at GS and it is a great mic but how does the 421 hold up against it? If so, we hope you will. If anything this video convinced me that the two could compliment each other nicely. It also allows for more tonal variations from small changes in positioning. MB bei Facebook . 1, 19.02.14 Sponsored by . With condensers though, there’s a real potential for overloading and possible damage to mic. That’s only half-the-battle, because it still needs to sound just as good on your recordings. Which you certainly want to avoid with a mic as expensive as the U87. Because unlike the SM57 and MD421, which are widely-known for their versatility…. You could try the Clayman/Nordstrom approach (I know it wasn't invented by Fredrik, but its become synonymous with him), having one on-axis on the centre of the speaker, and another off axis pointed to the centre too. And the dynamic mic long known as the industry standard for this task is Shure’s legendary SM57. Do a Google search for electric guitar mics, and the Sennheiser e609 is likely the first name you’ll see. What most people eventually discover is that MOST ribbon mics in general sound great as well. Both mics in the same basic spot and blend together, or do you feel out two completely different positions for each mic by ear? The 57 just can't capture the fundamental on larger toms... but the fundamental on higher toms is captured nicely. And it was the primary mic he used back in his days of recording Zeppelin and Hendrix. In comparison, the MD421 has a wider frequency response, so it captures more highs and lows. And while electric guitar recording is a huge topic in-itself…. And just like the SM57 the Sennheiser MD421 is so-versatile that most engineers say it’s a must-have tool in their arsenal, whether they record electric guitar or NOT. It is what the majority of engineers prefer and recommend as the default option for newbies. all of that is good. Board-Mitarbeiter . SM57 + Sennheiser MD 421 mic placement; Are you a heavy metal guitar player, collector or enthusiast? Quick Links. Read the forum discussions online for long enough, and you’ll start to notice 3 patterns on the topic of guitar mics: And while that might be a slight exaggeration…. That is why, you should almost always keep the pad engaged, just to be safe. Then play both together to check and correct phase issues. As long as you can do that, a condenser mic like the U87 or C414 can ad d an entirely new dimension to your guitar sound. But it's a pain in the ass and it's best just to get it right to begin with.

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