1BUY http://smarturl.it/PTXTPV1?IQid=ytSTREAM http://smarturl.it/PTXTPV1?IQid=yt GET PENTATONIX THE ALBUMBUY http://smarturl.it/PTXalbum?IQid=ytSTREAM http://smarturl.it/PTXalbumS?IQid=yt GET PTX VOL. The song has also made its way onto Spotify’s Christmas Pop playlist alongside lots of originals and traditionals that are, you know, about Christmas. Whatever context it belongs in, Christmas ain’t it. Despite the content of my rant thus far, my definition of Christmas music is not narrow. It’s just not great Christmas music. The Herald Angels Sing” and “O Come All Ye Faithful,” and for kid stuff like “Frosty The Snowman” and “Rudolph The Red Nosed Reindeer” and “You’re A Mean One, Mr. Grinch,” and for classic holiday pop songs like “Rockin’ Around The Christmas Tree” and “Christmas (Baby Please Come Home)” and “Have Yourself A Merry Little Christmas.” I appreciate that sometimes existing songs can successfully be adapted into Christmas songs, like when the Trans-Siberian Orchestra turned “Canon In D” into “Christmas Canon,” and I love when artists like Sufjan Stevens poke and prod at the boundaries of what Christmas music can be. Pentatonix aren’t the first to try to force “Hallelujah” into this milieu. It’s that those albums consistently contain songs that are not Christmas music, and that due to Pentatonix’s prominent position within the genre, those songs are now constantly interrupting my experience of Christmas music, taking me out of my merrymaking zone — none more so than their cover of Leonard Cohen’s “Hallelujah.”. They were birthed by reality TV. It’s not Christmas music at all. There are many reasons one might be annoyed at Pentatonix, the ruling a cappella group of our time. poke and prod at the boundaries of what Christmas music can be, undermined the spirit of the original song. In the past six years they’ve released three full-length Christmas albums — 2014’s That’s Christmas To Me, 2016’s A Pentatonix Christmas, and 2018’s Christmas Is Here — plus this year’s The Best Of Pentatonix Christmas, which mixes selections from all three LPs with a handful of new tracks. They’ve covered Fleet Foxes’ “White Winter Hymnal” and Kanye West’s “Coldest Winter” and the Neighbourhood’s “Sweater Weather,” all of which could, I guess, be slotted into that sub-canon of Christmas songs that are actually just winter songs. In one sense, I can’t blame Pentatonix or the world’s playlist curators for attempting to infuse the Christmas canon with some fresh tunes. Pentatonix are great at singing Christmas songs. The most important stories and least important memes, every Friday. Arguably no new Christmas songs have become standards since Carey’s newly anointed #1 hit “All I Want For Christmas Is You,” which dropped 25 years ago. (Surely you recall the final scene of It’s A Wonderful Life?) A few years before them, the Christian rock band Cloverton created a Christmas version of “Hallelujah” with insipid lyrics such as, “I heard about this baby boy/ Who’s come to Earth to bring us joy.” It sucked, and it undermined the spirit of the original song, but it was at least a Christmas song, which Cohen’s “Hallelujah” is not. They descend upon us every year, but like mild snowfall that comes and goes without accumulating, none of them stick. In most of its many iterations, “Hallelujah” qualifies as great music. As a nostalgic schmuck with a lot of emotional investment in my own annual traditions, seasonal music’s function for me is almost utilitarian; it is the grease that gets my yuletide wheels spinning. Pentatonix, The Best of Pentatonix Christmas. But they’ve also done “When You Believe,” a Mariah Carey and Whitney Houston duet from the soundtrack to 1998’s The Prince Of Egypt, which is set several thousand years ahead of the Christmas story, historically speaking. It’s an ethos directly opposed to what Cohen achieved with “Hallelujah,” a song more in line with my usual taste for more artful material. Listen to O Come, O Come Emmanuel by Pentatonix, 5,632 Shazams, featuring on Pentatonix Essentials, and All I Want For Christmas Is Pop Apple Music playlists. SONG TIME ... All I Want For Christmas Is Pop Holiday Pentatonix … Both have their value, but to lump them together is to misunderstand each one’s reason for existing. What I do not appreciate is having “Hallelujah” constantly interrupt my Christmas experience. Not only are Pentatonix their generation’s defining a cappella group, they’re also this decade’s definitive purveyor of Christmas music. I'll be home, I'll be home for Christmas I'll be home, I'll be home, oh I'll be home for Christmas You can count on me Please, have snow and mistletoe And presents on the tree, oh (On the tree) Christmas Eve will find me (Find me) Where the love light gleams, oh (Where the love light gleams) I'll be home for Christmas If only in my dreams I'll be home, I'll be home for Christmas … 2019 Preview Editors’ Notes The cream of the holiday crop from the soaring a cappella crew. If you dislike Christmas music, the group’s fixation on holiday fare undoubtedly rubs you the wrong way. There is nary a yuletide playlist or TV special without these people; they’ve become an unmissable staple at those radio stations that switch to holiday music only between Thanksgiving and Christmas. That’s fine. [Official Video] That’s Christmas To Me - Pentatonix - YouTube All you’ll want for Christmas is Pentatonix, or at least their album, Christmas Is Here!, released Friday (Oct. 26). It exists on a different plane. Flimsier still is their choice of the Frozen anthem “Let It Go,” forever linked with a character who has magical ice powers but only about snow in a superficial capacity. The solution to this ostensible problem (if the lack of new Christmas standards really is a problem) may be to write better holiday originals. Nor is “Hallelujah” the only non-Christmas tune being crammed into an incongruous cultural space. In one sense, I can’t blame Pentatonix or the world’s playlist curators for attempting to infuse the Christmas canon with some fresh tunes. Christmas music serves a specific purpose: celebrating Christmas. They temporarily operated with four members despite being called Pentatonix. NEW ALBUM ‘THE BEST OF PENTATONIX CHRISTMAS’ OUT NOW!BUY: https://smarturl.it/bestofPTXmas?IQid=ytSTREAM: https://smarturl.it/bestofPTXmas?IQid=yt A PENTATONIX CHRISTMAS TOUR 2019. Some of Pentatonix’s Christmas bullshit I can begrudgingly abide. The genre lends itself to the extreme earnestness and gorgeous harmonies of a cappella, qualities Pentatonix exude in abundance. This is a zone Pentatonix know well. 2019 Preview Editors’ Notes The cream of the holiday crop from the soaring a cappella crew. But to me, a Christmas music fan, the worst thing about Pentatonix is not their obsession with the genre so much as their cockamamie stewardship of it. Arguably no new Christmas songs … Christmas Is Here! The fact that Cloverton felt they had to change the lyrics in order to make it a Christmas song itself proves that “Hallelujah” as originally conceived is not a Christmas song. Discovered using Shazam, the music … For a full quarter-century, songwriters have been attempting, and failing, to kick out new Christmas classics. There are lots of possible solutions, but let me tell you what is not one of them: pretending Leonard Cohen’s “Hallelujah” is a goddamned Christmas song. The sentimentality is a feature, not a bug. Holiday fare is more versatile than many give it credit for, covering a wide range of styles and subject matter, but in order to be Christmas music, it has to be about Christmas in some way, or at least adjacent to Christmas. “Hallelujah” means many things to many people, and it shares a certain reverent awe with certain carols and nativity ballads, but it constitutionally has nothing to do with Christmas.

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